all-day and all-night cultural entertainment center and athenian place-to-be, six d.o.g.s, has launched its brand new label, six d.o.g.s records. its first release under the gilda series, which will be focusing on contemporary, club-oriented electronic music, is lemos *kay&#305,,,,kç&#305,,,,*. lemos, the wonder-boy of greek underground dance scene, delivers the goods with a cover of *kaykci*, a greek (with turkish-like aroma) folk song, originally written in 1948. the song is a staple of traditional greek music, having been covered by numerous artists through the years. lemos nine minute long take features the beautiful vocals of folk-jazz singer, natasha mindrinou. in typical lemos style, the track is a dubby techno - house trip to the stars, retaining the core of the original song, basic melodies and lyrics. this leads-up to a deep, hypnotic but epic, huge cut that will surely move after hours dancefloors all-over. a remix by kreon, the greek maitre of contemporary minimal techno. he takes the original parts of kay&#305,,,,kç&#305,,,, under a low key bass carpet that extends to 12 minutes. stripped down, with emphasis on crystal clear rhythmics and in full swing, the track takes a whole new meaning. smartly placed vocals that fit in the after-hours aura and a hands-up moment towards the end, kreon brings the heat akin to the sound of ricardo villalobos and rpr.

legendary finnish electro pioneers mr velcro fastener return after a very long absence with this long-awaited and much-anticipated ep on cyber dance records. full of the same funked-out, quirky and fresh futuristic sounds that brought them instant recognition in the 90s electro underground the tku ep sounds like the innovative duo never went away, effortlessly picking up where they left off. brinkkala opens proceedings with their classic signature brand of detroit-meets-finland robotic funk jamming, while the next track bridge over nothing delivers harder and punchier rhythms deftly topped with layers of spaced-out chords and shimmering noises - and a relentless bassline that builds and progresses the grooves to alien dimensions of sheer electro brilliance. the sonic assault continues on side b with ologrammed , a pulsating monster of a track that pushes the velcro fastener sound into ethereal realms that evoke the likes of technasia or the hacker in their mid-90s heyday. the ep closes with johnny s wood , a funked-up, jazzed-out and upbeat adventure over-brimming with robotic positivity and electronic optimism. copies are limited of this essential purchase for die-hard electro connoisseurs everywhere, so don t be slow as they re sure to go!

based in brest in france, prima luce is both an ode to old school techno sounds and the actual underground scene. taking its power in space imagery, the label pursuit the dream to follows, as long as possible, the rave way that made its taste for powerful and intense electronic aesthetics.

happy meals is the glasgow-based duo of suzanne rodden and lewis cook, life-partners since high school finding expression in cosmic form.

when dfc team (persi, collino & gemolotto) started their atahualpa project techno music was far to be a cool trend in the venues. even more innovative was to mash up acoustic, electronic, traditional instruments as peruvian panflutes and synthesizers while evocative voices drive listeners to the world of last inca emperor. it was in 1990 when ultimo imperio by atahualpa topped in several countries around the world becoming a milestone in the dance music history. nearly twentyfive years later dfc label releases 4 amazing new remixes and the story goes on

ltd to 300!tokyo wax is a peckham based coterie of creative individuals who draw their influence from varied cross-section of electronic music s heritage. tokyo wax intend to outlet music that both reflects and expands upon their influences spanning across spacious, loose-limbed headphone pieces and tough, floor-focused club tracks. in to inaugurate the project are label heads presence and persona backed up by l.i.e.s and russian torrent versions affiliate ngly who collectively turn in a package bearing flecks of dub, percussion-lead house and tenebrous, left-of-centre electronica. tw001 was funded by a kickstarter campaign with all proceeds from record sales going towards the u.k based addison s disease self help group.

next up on shipwrec is umwelt, an accomplished electronic musician who used to release on new york electro label satamile as well as the likes of kommando 6, and his own labels new flesh and fundata.

Électromagnétisme, migraine et météorologie is an electronic mantra in 4 acts, an organic and hypnotic musical composition based on noise and drone, a music for industrial and diy analog sound addicts. discover the dark world of gakona and his apocalyptic vision of electronic cultures.

little boxes recordings brings the second maxi single on 12 inch vinyl with a mixture of starbuds electronic elements and cotton candys handmade guitar strings. on the a side they create their imagination of modern dance music. the b side brings a fine techno based track with lot of syntheziser parts by starbud. the second song on the b side gives a warmer feeling with a guitar based piece of their minds.

g-man aka gez varley first came to prominence as one half of the ground breaking electronic group lfo. their first release lfo lfo reached number 10 in the uk charts and went on to sell 150 000 copies worldwide (1990).

rainman ep is the first release of iori wakasa, our japanese family member, on our label. he is a well known artist in the electronic scene and just released on highgrade records and saw records his last works

borodin has come a long way since his first introduction into electronic music in 2001. thanks to his undeniable skills he has developed a unique style. borodin has been one of the most consistent producers around in recent years. melotherapy is proud to add to the family an astounding style and sound. each and every track will take you into borodins mind and soul. this ep is evidence that borodin has drawn upon all his years of experience to craft an accomplished debut record for melotherapy full of malformed drums, conspicuous hits and amazing breaks.

anstascia d elene and vivie-ann bakos aka blond:ish are members of the notorious kompakt and get physical families along with a slew of other labels, they have carved out a niche thanks to their dark, sensual club music, sultry dj sets and outrageous, fun-loving attitude. a slew of original productions, remixes (the last one for the electronic music legends depeche mode) and gigs all over the world helped reinforce their undying love for music and demonstrated that, where words fail,blond:ish s music speaks.

hopeworks opened just under two years ago, in the heart of sheffields former industrial centre. this empty warehouse has since become the hedonistic epicentre of the citys vibrant all night clubbing scene as chief resident and director of hopeworks, lo shea has built the ethos of the space from the ground up. having hosted an enviable list of international guest artists as well as showcasing the best of tomorrows talent, hopeworks has become an essential melting pot for the cultural and musical future of a city whose electronic heritage has surpassed its industrial one. a platform to release the music inspired by the space and its loyal crowd, not to mention the artists who have contributed to its success, makes perfect sense. who better to take the helm of this debut voyage than lo shea himself… following his successful seaghdha series, liam continues to flesh out a distinctive sound that doesnt easily fit into genre divides, but which is informed and inspired by all those late nights. often functional, always perfectly weighted - his productions have - given the diverse & astonishing energy of the space that feeds them - gained support from djs and dancers the world over… this is 100% mixed in sheffield & believe us, hope, works.

parallax 01 - debut release showcases 3 of tel-avivs emerging electronic music producers. a-side is defined by tv.outs hard-driven machines and pharaohs hard jackin house miniatures. stamp-side features two deeper house cuts by jerusalems yogg followed by a killer fred p remix.

original, fresh & dark techno stunner with related, pure electronic excursions.

the maaskant polychoral style was a type of music of the late modern electronics and early indie eras which involved spatially separate voices singing in alternation. it represented a major stylistic shift from the prevailing polyphonic writing of the early electronic generation, and was one of the major stylistic developments of the 90s which led directly to the formation of what we now know as the pure modern style. a commonly encountered term for the separated analog choirs is cori analogici spezzati — literally, phased choirs. the a-side, featuring eyo olokun, signifies unfathomable deep grooves. that is, the instinct that there is something worth knowing, perhaps more than can ever be learned, especially this bassline that most people spend a lifetime pondering.

the observer effect is a brainy and challenging record. recorded exclusively with gear, with all tracks arranged live, its tracks are pure explorations of the process of writing electronic music.

emotions, melody and rhythm. those are the keywords to describe jin chois new release on serialism records, >delirium ep<. the berlin based artist has already been on the spotlight with the serialism team for his release >full range< (with maceo plex on rmx duty) a couple of years ago. his peculiar sound has developed even more since back then, leaving a special mark on the electronic music by spreading its uniqueness via well respected labels such as lessizmore, contexterrior as well as his own imprint private gold. the original tunes are solid musical journeys crossing over techno and dubstep, somewhere between the berlin and london sound, sometimes between the past and the future. romantically charged of emotions and broken rhythms. delirium ep also includes a minimal avant-­garde re-­visit by jazz musician david koch aka dewalta from the vakant and meander family.

limited 1-sided white label 10 inch. he is back, in the run up to 2015’s longplayer dropping another slice of broken electronic pop this time teaming up with us isolationist and icey voiced songwriter kid a. here fmf delivers his trademarked frosted heartbreak chords with a grime lilt on the drums and low-end. we have enlisted the deft remix skills of visionist acknowledged leader of the new grime movement who adds his own low slung mood take on fmfs fractalised funk.

the pride of northern sweden, varg, is back with his new moniker, grav. this mini album features 6 brand new songs of his unique electronic darkness & melancholy. limited 300 copies, vinyl only.

clr is back with release number 83 and has something very special in store this time. monolocs latest effort offers a challenging mixture of various electronic music genres. apart from the original version and the monoloc edit, which occupy the a side of the vinyl, two highly respected producers have contributed remixes to this project, making it an impressive assembly of potential a sides.

dance aiming to go somewhat deeper and darker than his debut album, on some kind of sign ernesto endevours to go beyond the obvious and easily cliched elements of an electronic lp, capturing the world within the spaces, using otherworldly modulars and field recordings to take the listener to the outer reaches of the albums very heart and soul.

analogue attic is a record label based in melbourne, australia. showcasing the gentle side of electronic music down under. the first release from aar, good morning passengers introduces local duo albrecht la brooy. the belgrave train line travels 42kms south east from melbourne s busy flinders street to the peaceful gum forests of the dandenong ranges. good morning passengers explores life on the belgrave line, urban gentrification, multiculturalism and the journey from the suburbs to the rainforest.

a long awaited studio album of saint, petersburg based live-electronic music trio d-pulse. for the past few years d-pulse has released their music on such established labels as island, tirk, teardrop, gomma, and theomatic. mostly known for their remixes, band decided to bring their debut studio album via their very own imprint - vernal records. the band s melancholic sound echoing from the numerous factories and forests of their homecity, izhevsk, fused with exeptional production established d-pulse as one of the most vivid and respected live acts on the contemporary russian indie and electronic music scene.

nice price deal !!! raam records is founded by acclaimed producer and dj elias raam. elias started out producing and djing in the mid-nineties. as part of slippery people he collaborated with legends such as leroy burgess and adeva. later on he explored a darker electronic analogue world in the duo arken, releasing on sonar kollektiv.

since its first outing in 2004, matthew dears audion guise has predominantly acted as a darker, edgier commentary to the pop-infused house concoctions to be found under the producers birth name. a twisted reflection of sorts, it contemplated electronic music through the lens of grime-flecked techno and sinewy funk - resulting in relentless floor-fillers like the aptly named >kisses<, >just fucking< or >mouth to mouth<.

fish go deep return with a double header of intense electronic house music. over a muscular rhythm track, turning stones builds layer upon layer of melody before a jagged synth riff knocks the track into another orbit altogether. the dub takes a different path, with a steady rhythmic pulse that allows plenty of space for the music to soar.

hardway bros (otherwise known as sean johnston of a love from outer space) returns to throne of blood with their second ep. after successfully exploring belgian new beat influences on last years *a/b music / shorty* release, sean continues to explore the darker side of vintage electronic tropes with the sleaze ep.

limited 300 copies / full picture sleeve /! we all know fred ventura, and it’,s nice to see that he is coming back again with a new track, co-written and co-produced with phil r., who along with having been a respected deep house and electronic music producer for years, is now wellknown for owning the only italian factory of vinyl records: phonopress. the track is a classic italo disco anthem, and there is an alternative, more “,italo-funky-disco”, version in the b-side. the sound and the track’,s structure overall are the typical ones from the mid 80’,s. this record is a must-have for all italo-disco lovers, oldtimers, fred ventura’,s fans and collectors. the finishing is high-end, with a cover coated with opaque uv, black innersleeves, and shrinkwrapping. the limited, multicolored splatter 180g edition manufactured with manual presses comes with a special sticker in the upper-left corner

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats, the driving grooves, but not always the melodic universes. leman & dieckmann have been making music for several years, both together and apart, but almost all of their music was driven mainly by the beat. but both having an urge to discover the dynamics of melodic synths and melodic percussion they decided to make an album. they agreed that the album had to tell a story, and like so many times before in music the topic became love. the story they try to tell through the music on the album *takes two* is the story of a breakup, the denial of the need of love, and the discover of the fact that often in life it takes two, to be happy.

basilar records brings you split ep. a 2-sided, 8 track limited edition vinyl release featuring the works of both diarmo and banku. bringing forward 4 tracks on each side, split ep is an eclectic mix of what basilar records and these respective artists do best, championing 4-to-the-floor electronic music, with lashings of layered, complex ambient beats for your listening pleasure. a long wait for a long-awaited title, whether you are new to basilar or interested in something new, split ep is one release you deserve to have. complimented with individually screenprinted cover art on the front and back, designed and printed by visual artist l aubaine (laurie bender), this limited edition vinyl will delight visually and aurally.

audiojacks gruuv label returns this october with a four-track package from french producer okain, featuring a remix from tuccillo. parisian artist samuel thalman aka okain has quite the standing in contemporary electronic music having been a prominent name as a dj and producer for the past fifteen years. playing at some of the leading nightclubs across the globe such as fabric, watergate, space ibiza, rex club and electric pickle to name but a few. thalman has also built quite the respectable back-catalogue in his time, releasing material via the likes of tsuba, bpitch, memento and cadenza, and here we see him add gruuv to his affiliations.

ltd 200 copies! devianza is a new way of conceiving electronic music, a sort of sonic socialism which involves the sharing of music projects developed by blackwater label. i droni a torvajianica is a melodic techno track with hints of acid

supported by: nic fanciulli , mirco violi, mihalis safras, gruber & nuernberg, gavin herlihy, sebastian lutz, richie hawtin, d.diggler,..
one of the hottest greek commendations to the electronic music scene is mark spanoudakis aka kreon. someone may know him because of his releases on cecille, robsoul, below, resopal, be_chosen or freerange. but also with his companion lemos he has some stuff out there like on labels resopal red or be chosen. with his very versatile sound he achieved high rotation and made it into the playlists of international top acts & compilations. for his debut on plastic city he predicts a revolution...

introducing a fresh electronic pairing as azimute (quenum & cesare marchese aka cesare vs disorder), crosstown rebels get set to present a glowing debut ep comprising three original cuts of pure and understated class...

oneiro, pronounced o-ni-ro is the greek word for dream. 12 tones first ever vinyl release on klik records can be described as a dream crafted magically by the duo that represents the new era in the greek electronic music scene. based in the western part of the country, their sound is a unique blend of european tech house with the characteristic mediterranean touch. pure deepness. thats what oneiro ep is about.

first release on sun cat recordings / ancient sound from outer space is by italian obscure electronic producer named healing force project, that means freedom of the soul. inspired by space jazz and experimental techno, antonio marini reconnects distant horizons until the sky falls away, sonorizing the last ancient astronaut landing on earth in five hypnotic tracks. mastered by andrea merlini and illustrated by fernanda veron, *last journey to heliopolis ep* pictures early dawns and aching nights, combining different analog and digital elements. a cosmic trip without return only makes sense if has no stops or boundaries.

fantastic four track album sampler from jay haze & esb’s forthcoming ‘finding oriya’ album released this november on leftroom. philadelphia-born producer jay haze has carved out quite the career for himself over the past decade, having headed up the successful tuning spork and contexterrior imprints, as well as operating under his fuckpony pseudonym which has seen him unveil material for the likes of get physical, cocoon and bpitch. here we see haze pair up with esb (electric sound broadcast) aka elan benaroch, notably known for his work with canada’s deepen sound, to deliver a long player for the leftroom label. finding oriya is the musical culmination of the journey towards fatherhood for haze, here we see haze & elan explore a variety or ethereal, mind-bending and profound textures to create an intelligent, understated and charming collection. from the electronic beauty of finding oriya, the dropped-tempo nu-disco tinged feel of founded in you, through to the entrancing feel of friday always remembers, ands the mid-tempo magic of cant keep giving in, this eclectic four track sampler is a great introduction to the eagerly anticipated album.

trulz & robin akatrulz kvam & robin crafoord return with sol and the names pays tribute to the sound. a very strong deep detrot influenced transmatesque electronic house, forward optimistic / euphemistic sun come out track, on b prins thomas sets a slower but less warm pace and gives it a non less positive balearic twist before froskelar goes way back to the main 4 2 the floor.

munk is the project of gomma label founder mathias modica (germanys most interesting electronic music label the nme). munk is best known for his collaborations with rebolledo from pachanga boys (surf smurf), james murphy lcd soundsystem (kick out the chairs), asia argento (live fast die old) and club hits like down in l.a. and la musica. he co- produced the albums of gomma bands whomadewho and moullinex.

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats and the driving grooves

following the critical success of last years mini-lp the last tortuga, black deer is back on emotional response with a 4 track remix ep featuring friends and alumni nacho patrol, luke wyatt, sad city and valet. william burnett returns to the label in the form of a remixes ep that takes his original productions and hands it to a broad selection of todays finest electronic producers, plus a rare outing from one of the labels favourite pyschedelic experimentalists

tip! after a wonderful & successful first edition on his own nurum, dubfound returns with his creative partner to surprise you by another masterpiece of electronic music. amazing cover artwork, shrinked, 180 gram vinyl, anti static sleeve and no digital.

together with guido schneider, andrè galluzzi presents the kick-off of the todays rmixes. a cooperation, well known since albertino on cadenza or too late to land on cocoon. the first trambolla rmix join this series as a percussive and mystic club crasher, bloom at primetime. urban drums meets wideness of electronic sound.

poker flat is gearing up to celebrate fifteen years strong, with a series of releases that will assure their standing as one of electronic musics best known and most loved imprints.

the stiff little spinners are back on a solo tip with the fifth edition of our vinyl series thats embracing the world of electronic dance clubs and open air raves with heartfelt warmth, organic basslines and a whole lotta love. after releasing volume 4 alongside our tenth anniversary compilation audiolith -ten years from now stiff little spinners volume 5 once again serves a fine, hand-picked selection of six melodious club essentials somewhat in between tech-, romantic- and deephouse-grooves for intimate late night jams and cosy venues crowded with musical connaisseurs. the vinyl ep includes a download code.

this ancestral bones - title of the second release of the berlin-based label ownlife. it features two original tracks of leiras and a remix by one of the key-names in the electronic music-scene, the multifaceted peter van hoesen.

it has been over a year since the last schmorgasbord release dropped, which saw al tourettes (better known now as second storey) rubbing up against paradroid in a mix up of electro, techno and electronica styles. now the label returns with bass clef and frak, who were asked to each commit a half-finished sketch of a track to tape, exchange tapes and finish off each others tracks. bass clef has been a strong solo force on the electronic music scene since he first emerged in the wider bass music field in 2006, and has since released on idle hands, punch drunk, pan and public information as well as running his own magic + dreams imprint. swedish trio frak have been releasing since their debut album in 1987 when they were thirteen years old. the swedish trio have been active for most of that time, running borft records and releasing a huge amount of music as well as performing live. in recent years they have enjoyed more recognition with releases on kontra musik, digitalis and sex tags mania. schmorgasbord launched in 2011 with a release that saw appleblim and october collaborating for the first time. it was followed up by a release from s-max and spatial.